Edebiyat Ödev Yardımı
Edebiyat, fikirleri, duyguları ve deneyimleri dil aracılığıyla ifade eden ve ileten bir sanat formudur. Çok çeşitli biçim ve tarzları kapsayan, insan kültürünün ayrılmaz bir parçasıdır. Edebi eserler roman, şiir, drama, deneme ve daha fazlasını içerebilir. Edebiyat yalnızca toplumsal, tarihi ve kültürel arka planı yansıtmaz, aynı zamanda okuyucunun hayal gücüne, duygularına ve eleştirel düşünme yeteneklerine de ilham verir. Edebiyat sayesinde insan, insanlığın iç dünyasını keşfedebilir, farklı bakış açılarını ve değerleri anlayabilir, güzelliğin keyfini yaşayabilir. Edebiyatın kişisel gelişim ve toplumsal gelişim üzerinde önemli bir etkisi vardır.
- Use the passage to answer the question. With that reflection Gortsby rose to go; as he did so an exclamation of concern escaped him. Lying on the ground by the side of the bench was a small oval packet.wrapped and sealed with the solicitude of a chemist's counter.It could be nothing else but a cake of soap, and it had evidently fallen out of the youth's overcoat pocket when he flung himself down on the seat In another moment Gortsby was scudding along the dusk-shrouded path in anxious quest for a youthful figure in a light overcoat.He had nearly given up the search when he caught sight of the object of his pursuit standing irresolutely on the border of the carriage drive evidently uncertain whether to strike across the Park or make for the busting pavements of Knightsbridge He turned round sharply with an air of defensive hostility when he found Gortsby hailing him. What detail in this excerpt foreshadows the revelation that Gortsby receives at the end of the story? (1 point) "Lying on the ground by the side of the bench was a small oval packet" "He had nearly given up the search when he caught sight of the object of his pursuit standing irresolutely on the border of the carriage drive" "In another moment Gortsby was scudding along the dusk-shrouded path in anxious quest for a youthful figure in a light overcoat." "He turned round sharply with an air of defensive hostility when he found Gortsby halling him."
- square (1) The Reward of Enterprise by Ward Muir I'm a novelist, an you know, but if hadn't had to take to writing I'd have been a rolling stono by profession and by inclination In my more philosophic moods I percelve that roally, it was sheor luck __ this occurrence about which you've asked me to tell you. I should nover have made a any atarved; instead I'm rather well off, as things go. Dut ntill- You understand I was by way of being a bit venturesome, as a young man. I did a certain amount of journalism, from time to time, but my secret hopes were set on all that is implied in that specious phrase, "sooing the world." I wanted to see the world Keeping this object in view I shipped on a tramp steamer, with whose captain I had struck up an acquaintanceship. Nominally I was the purser. actually I was the Captain?guest. Cargo boats such as the S.S Peterhof do not employ a purser. Uso the passage below to answer the question. Which inferences about Harborough are best supported by the details in the passage? Select the two correct answers. (1 point) He is an older man talking about an important experience in his youth. He sailed on the Peterhof as the Captain's guest. He makes his living as a novelist. He occasionally worked as a journalist when he was young. He boarded the Poterhof because he wanted to see new places and have adventures.
- 3. Asagidaki ipurdarindan hangisi m en- dil kapmaca oyunuyla ilgilidir? , Esit sayda oyuncu karsulklu birer sira halinde dizilir. B. Tekerleme sGyleyerek birind grup yururken. Iknci grup geriye dog ru gider. C.Dovul zurna esliginde ayuncu- lardan biri meydana akar
- 2. Oyuncular yizleri birbirin e donu halka olusturacak sebilde yere otu rurlar. Ebe mendilin ucunu dugum leyerek halkann cerresinde dolas. maya baslar. lpudan verilen ayun hangisidir? A. Mendil kapmaca B. Yag satarim C. Yerden yuksek
- Put the words in the correct order. into getting tiring at llpm was day very After bed square I square I square I square square square square square square I square I square square square